He's got all these women dancing, man. They think he's from all over: Arabia, Turkey, Romania, places he's just seen on a map. He tells them all kinds of stuff.
On Charing Cross, he saw every one of them go past in the train windows. So he went into this car, and one of them was here too. So he's sitting low-down at this end of the carriage.
He wants the rich businesswoman most only cause she's the coldest piece of ass. Beverley is sentimental -- but she'll be good for cash. The spent old broad who says she's Matisse's granddaughter, she keeps saying she's poor, but who knows -- maybe she'll give him a painting. Anita is dangerous. She's smart; she could turn on him. Sam's a little afraid of Anita. Her, he would like to hurt.
All in all, it's probably best just to cruise on down to the Elephant.
Car 6 map